The reviews are rolling in for David Lindsay-Abaire's The Balusters, which officially opened its Broadway world premiere via Manhattan Theatre Club at the Samuel J. Friedman Theatre April 21 after ...
It’s easy to get depressed about national politics. The people running things are nasty, brutish and eager to appeal to baser instincts rather than better angels. As “The Balusters,” the story of a ...
NEW YORK — A truism named for the late political scientist Wallace Sayre holds that, in any dispute, the intensity of feeling is inversely proportional to the value of the issues at stake. Put more ...
Hell hath no fury like a well-intentioned self-appointed watchdog challenged, as David Lindsay-Abaire’s new ensemble comedy The Balusters reminds us. We’ve seen this group dynamic before – in real ...
Forbes contributors publish independent expert analyses and insights. You can find me at the confluence of food, beverage and travel. Moss, a new Midtown Manhattan members-only club, joins a ...
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A local brewery’s new blend is celebrating one South Bay woman’s work to give youths from all over Los Angeles County a space to learn, play and grow. The Community Hero Hard Seltzer at Culture ...
Add Yahoo as a preferred source to see more of our stories on Google. NEW YORK — A truism named for the late political scientist Wallace Sayre holds that, in any dispute, the intensity of feeling is ...
STRANGE INTERLUDE—Eugene O’Neill’s curious, long, effective expedition into the human soul (TIME, Feb. 13, 1928). STREET SCENE—A slice of tenement life, deftly cut (TIME, Jan. 21). JOURNEY’S END—Ten ...
It’s been years since legendary singer Omara Portuondo last entered a recording studio. Once known as the “Queen of Feeling,” her voice was celebrated throughout Cuba—until she vanished from the ...
Carnival. The salesmen’s smoker was an orgy. The smalltown boys had plenty of liquor on their breaths, carnival girls on their laps. A cooch dancer came out and began her undulations. Through her ...
*CRITIC'S PICK* This psychological delicacy comes as no surprise: Lindsay-Abaire wrote one of our most persuasive dramas on social collision, “Good People,” which explores the two ends of the class ...
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