In his own production notes for The Glass Menagerie, Tennessee Williams invites his creatives to employ theatrical tools not to hide from truth, but to edge ever closer to where it exists. The very ...

There is a lot to love about this show; the cast are strong, and the onstage band who interact in the main diner setting is a fun touch.

Hitting the sweet spot in a corner shop, Koreaboo is a theatrical pleasure, pure and simple. Written by and starring Michelle Lim Davidson, Koreaboo takes its name from the term used to describe ...

Nearly forty years on, David Williamson’s Emerald City is possibly more pertinent, poignant and passionate, the skewering satire and sparkling dialogue finding solid contemporary footing in Mark ...

The first concert was in itself a tour de force, comprising as it did an entire program of German baroque music, all except one in minor keys, and mostly slow. (Though it is true that slow music is ...

You're never too young for the ballet, as Storytime Ballet proves. The Australian Ballet’s offering for their smallest audiences (children 2–8 are the target market) shortens traditional ballets to a ...

Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’. Melbourne Theatre Company’s My Brilliant Career, based on the 1901 Miles Franklin novel has ...

Tell you why I do like Mundys. Five good reasons. A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling ...

The month of May in Meanjin brings not just a cool change in weather but also the annual Brisbane Comedy Festival. This year, much to the glee of fans, Nat's What I Reckon has returned to the ...

All for what? Five stars! A real rendezvous with posterity, Sheridan Harbridge’s Amplified: The Exquisite Rock and Rage of Chrissy Amphlett is an exquisite channeling of the charismatic performer.