T he last time I wrote about Twelfth Night at the Public’s Delacorte Theater, I took issue with a performance that sacrificed the play’s rich ambiguities for a relentless sing-along perkiness, a too-wide smile that,

At the newly renovated Delacorte, Saheem Ali directs a celebrity-packed production that is comically inventive but rarely stirring.

The beloved Delacorte Theatre in Central Park has reopened as a sleeker, more comfy, more accessible version of itself. You could apply each of those adjectives to the show onstage as well.