The four-time Emmy nominee Stephen Carter tells Robb Report how he became interested in production design, and getting all ...

“Something that we were all really drawn to is the ornamentation of the Victorian era,” explains “Manhunt” production designer Chloe Arbiture about taking a bolder approach to designing over 200 sets ...

Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss ...

Ever wondered who brings a cinematic world into reality? Someone is responsible for a film's look, whether it’s intricate spaceships (like in Interstellar), dystopian cities (like in Blade Runner 2049 ...

Ridley Scott had one directive for production designer Arthur Max on “Gladiator II”: “I want to go big. I want to imply the grandeur of the Roman Empire,” he told the veteran artisan. Max, who has ...

“Wicked,” “Dune: Part 2,” “Conclave,” “Beetlejuice Beetlejuice,” “Emilia Pérez,” “Nosferatu” and “The Brutalist” were among the film nominees for the 29th Annual Excellence in Production Design Awards ...

When approaching his designs for Adolescence, production designer Adam Tomlinson says the most important aspect was to keep the flow going on set. Although filming an episode in a one shot is the job ...

EXCLUSIVE: When location scouting for Oppenheimer, production designer Ruth De Jong was tasked with finding a location to recreate Los Alamos. Although the actual town of Los Alamos was too modernized ...

"I have a feeling we're not in Kansas anymore," Dorothy says to her dog in 1939's 'The Wizard of Oz' as she walks around, discovering a fantasy set in which, without realizing it, we find ourselves ...