Ahead of the first-ever International Production Design Week, the Production Designers Collective has coordinated a series of interviews with directors and production designers, in which they discuss ...

“Something that we were all really drawn to is the ornamentation of the Victorian era,” explains “Manhunt” production designer Chloe Arbiture about taking a bolder approach to designing over 200 sets ...

When Ryan Coogler called on his go-to production designer, Hannah Beachler, to work on “Sinners,” she ended up building a ...

Ever wondered who brings a cinematic world into reality? Someone is responsible for a film's look, whether it’s intricate spaceships (like in Interstellar), dystopian cities (like in Blade Runner 2049 ...

When approaching his designs for Adolescence, production designer Adam Tomlinson says the most important aspect was to keep the flow going on set. Although filming an episode in a one shot is the job ...

“Wicked,” “Dune: Part 2,” “Conclave,” “Beetlejuice Beetlejuice,” “Emilia Pérez,” “Nosferatu” and “The Brutalist” were among the film nominees for the 29th Annual Excellence in Production Design Awards ...

Ridley Scott had one directive for production designer Arthur Max on “Gladiator II”: “I want to go big. I want to imply the grandeur of the Roman Empire,” he told the veteran artisan. Max, who has ...

The production design for The White Lotus takes shape from a long conversation with Mike about what moods and vibes we want to bring out from the story. He shares his thoughts, feelings, and ...

Singaporean offshore and marine giant Seatrium has confirmed its newly-launched design of a floating production, storage and ...